"The nineteenth-century dispute over the relative artistic merits of painting and photography seems misguided and confused today. But this does not diminish its importance, and may even underscore it. Insofar as the age of technological reproducibility separated art from its basis in cult, all semblance of art's autonomy disappeared forever."
Walter Benjamin, "The Work of Art in the Age of Its Technological Reproducibility" in Selected Writings, vol. 4, 1938-1940, ed. Howard Eiland and Michael W. Jennings, trans. Edmund Jephcott (Cambridge, MA: Belknap Press, 2006), p. 258.
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