Walter Benjamin, "On Some Motifs in Baudelaire" in Selected Writings, vol. 4, 1938-1940, ed. Howard Eiland and Michael W. Jennings, trans. Edmund Jephcott (Cambridge, MA: Belknap Press, 2006), p. 338
The colonial period of U.S. history contains a variety of interesting lessons. One of these pertains to the concept of a "virtuoso." The virtuoso was primarily characterized by curiosity. Rather than being overly specialized, the virtuoso explored a wide range of interests. The study of nature, art, literature, and theology all would have been pursuits common to this stereotype. This blog aspires to take this early category and use it as a point of departure for exploration and reflection.
Wednesday, October 26, 2016
Benjamin - Gaze and Aura
"Experience of the aura thus arises from the fact that a response characteristic of human relationships is transposed to the relationship between humans and inanimate objects. The person we look at, or who feels he is being looked at, looks at us in turn. To experience the aura of an object we look at means to invest it with the ability to look back at us."
Walter Benjamin, "On Some Motifs in Baudelaire" in Selected Writings, vol. 4, 1938-1940, ed. Howard Eiland and Michael W. Jennings, trans. Edmund Jephcott (Cambridge, MA: Belknap Press, 2006), p. 338
Walter Benjamin, "On Some Motifs in Baudelaire" in Selected Writings, vol. 4, 1938-1940, ed. Howard Eiland and Michael W. Jennings, trans. Edmund Jephcott (Cambridge, MA: Belknap Press, 2006), p. 338
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