"The tension between dogmatic theology and biblical interpretation did not arise in the eighteenth century, under the impact of the Enlightenment, or in the nineteenth century, when the study of history unleashed its subversive power. Rather, that tension already became palpable when, in the late seventeenth century, the querelle des anciens et des modernes foreshadowed the hsitorians' debates of the eighteenth and nineteenth centuries without which the need for concepts like those of a 'biblical theology', as opposed to dogmatic theology, would never have arisen."
Joachim Schaper, "The Question of a 'Biblical Theology' and the Growing Tension between 'Biblical Theology' and a 'History of the Religion of Israel': from Johann Philipp Gabler to Rudolf Smend, Sen." in Hebrew Bible/Old Testament: The History of Its Interpretation, ed. Magne Sæbø, Vol. 3.1 (Bristol, CT: Vandenhoeck & Ruprecht, 2013), 629.
The colonial period of U.S. history contains a variety of interesting lessons. One of these pertains to the concept of a "virtuoso." The virtuoso was primarily characterized by curiosity. Rather than being overly specialized, the virtuoso explored a wide range of interests. The study of nature, art, literature, and theology all would have been pursuits common to this stereotype. This blog aspires to take this early category and use it as a point of departure for exploration and reflection.
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